Exceltium
Member
Member Name: Exceltium
Location: Brussels, Belgium
ML Model(s): CLX 25th Anniversary (replacing Ascent's), dual Descent's, Theater, 2 pairs of Script i,'s Depth
Year Purchased: 2003, 2005, 2007 and 2012
Comments and/or stories about your Martin Logan experience:
I'm a happy MartinLogan user since 2003.
I started a stereo system with a pair of Ascent's, then added a Descent (used then on an all Audio Research tube electronics: CD player, pre-amp and stereo amplifier).
When jumping later to Home Cinema, I added 2 pairs of Script i's for Surrounds and Rears, a Theatre centre channel, a second Descent and a Depth.
The pair of Descent's now complement the CLX (formerly the Ascent's) as main L&R channels, and the Depth provides the LFE.
Sources:
- Classé Audio CDT-300 CD-DVD transport
- Cambridge Audio 650 BD Blu-ray player
- Cambridge Audio 650 T tuner
- Apple TV (version 2)
- local TV cable company's HD Digicorder (Motorola)
- Apple MacBook Air running Amarra (formerly Amarra Mini) + Apple Time Capsule 2 TB HDD for music files storage (16/44.1 and 24/48-96 files under AIFF and/or FLAC format)
Pre-amplifier/sound processor:
- Classé Audio SSP-800
Amplifiers:
- Classé Audio CAM-400's (pair of mono-blocks) driving the Ascent's
- Classé Audio CA-5200 for Centre, Surrounds and Rears
Cables:
- Shunyata Research Python power cords for amplifiers, pre/pro and digital sources
- Shunyata Research Black Mamba power cord for the tuner
- Kimber Cable Bifocal XL for main L&R channels
- Supra Cable for all other speakers
- Nordost Valhalla XLR interconnects between pre/pro and CAM-400's
- Transparent USB cable
- Audioquest Chocolate HDMI interconnects for CD-DVD, Blu-ray and Apple TV
- Audioquest King Cobra XLR and/or RCA interconnects for all other cables
Network filters:
- Isotek Titan (x 2) feeding the 2 CAM-400's and the 2 Descent's
- Isotek Nova feeding the pre/pro and the sources
- Isotek Mira feeding the projector
- Isotek Isoplugs for all unused wall sockets in the room
Racks:
- by Classé Audio for Classé Audio gear
- solid and stable teack wood furniture for all non-Classé gear
Video:
- JVC DLA-1 projector
- Panoview Grey Wolf 2 screen (106" diagonal)
Dedicated hi-fi & home cinema room (approx. 5,5m or 18 ft wide by approx. 9,5m or 30 ft long, under the roof) used also as a study and reading room.
Room treatment with sound absorbing polyurethane foam and sound transparent cloth panels behind the main & centre channels and on the ceiling.
Thick carpets on wooden floor.
Very happy with the final result. Makes excellent music. :music:
Picture of the system here below.
I'm thinking more and more of moving up to a pair of CLX for replacing the Ascent's.
But Bowers & Wilkins 800 Diamond's and Wilson Audio Sasha's are also on the list.
CLX would be more coherent with the rest of the system, but 800 Di's & Sasha's play very well too.
Does anybody have experience of blending Descent's (not Descent i's with optional CLX filter) with CLX ?
Low pass filter at 40 Hz is good enough (MartinLogan recommends setting up the sub's filter at 70% of lower frequency of the speakers), even though CLX stop at 56 Hz ?
Location: Brussels, Belgium
ML Model(s): CLX 25th Anniversary (replacing Ascent's), dual Descent's, Theater, 2 pairs of Script i,'s Depth
Year Purchased: 2003, 2005, 2007 and 2012
Comments and/or stories about your Martin Logan experience:
I'm a happy MartinLogan user since 2003.
I started a stereo system with a pair of Ascent's, then added a Descent (used then on an all Audio Research tube electronics: CD player, pre-amp and stereo amplifier).
When jumping later to Home Cinema, I added 2 pairs of Script i's for Surrounds and Rears, a Theatre centre channel, a second Descent and a Depth.
The pair of Descent's now complement the CLX (formerly the Ascent's) as main L&R channels, and the Depth provides the LFE.
Sources:
- Classé Audio CDT-300 CD-DVD transport
- Cambridge Audio 650 BD Blu-ray player
- Cambridge Audio 650 T tuner
- Apple TV (version 2)
- local TV cable company's HD Digicorder (Motorola)
- Apple MacBook Air running Amarra (formerly Amarra Mini) + Apple Time Capsule 2 TB HDD for music files storage (16/44.1 and 24/48-96 files under AIFF and/or FLAC format)
Pre-amplifier/sound processor:
- Classé Audio SSP-800
Amplifiers:
- Classé Audio CAM-400's (pair of mono-blocks) driving the Ascent's
- Classé Audio CA-5200 for Centre, Surrounds and Rears
Cables:
- Shunyata Research Python power cords for amplifiers, pre/pro and digital sources
- Shunyata Research Black Mamba power cord for the tuner
- Kimber Cable Bifocal XL for main L&R channels
- Supra Cable for all other speakers
- Nordost Valhalla XLR interconnects between pre/pro and CAM-400's
- Transparent USB cable
- Audioquest Chocolate HDMI interconnects for CD-DVD, Blu-ray and Apple TV
- Audioquest King Cobra XLR and/or RCA interconnects for all other cables
Network filters:
- Isotek Titan (x 2) feeding the 2 CAM-400's and the 2 Descent's
- Isotek Nova feeding the pre/pro and the sources
- Isotek Mira feeding the projector
- Isotek Isoplugs for all unused wall sockets in the room
Racks:
- by Classé Audio for Classé Audio gear
- solid and stable teack wood furniture for all non-Classé gear
Video:
- JVC DLA-1 projector
- Panoview Grey Wolf 2 screen (106" diagonal)
Dedicated hi-fi & home cinema room (approx. 5,5m or 18 ft wide by approx. 9,5m or 30 ft long, under the roof) used also as a study and reading room.
Room treatment with sound absorbing polyurethane foam and sound transparent cloth panels behind the main & centre channels and on the ceiling.
Thick carpets on wooden floor.
Very happy with the final result. Makes excellent music. :music:
Picture of the system here below.
I'm thinking more and more of moving up to a pair of CLX for replacing the Ascent's.
But Bowers & Wilkins 800 Diamond's and Wilson Audio Sasha's are also on the list.
CLX would be more coherent with the rest of the system, but 800 Di's & Sasha's play very well too.
Does anybody have experience of blending Descent's (not Descent i's with optional CLX filter) with CLX ?
Low pass filter at 40 Hz is good enough (MartinLogan recommends setting up the sub's filter at 70% of lower frequency of the speakers), even though CLX stop at 56 Hz ?
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