Muad'Dib
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- Jan 6, 2005
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Just found a CD recorded by a professor of mine (Mead Killion of Etymotic Research and Knowles prior to creating his own company) and threw it on for fun.
I've listened to the CD before - primarily for reasons other than listening to music as its got various demonstrations or simulations of hearing losses, otoacoustic emissions, and other things - and was completely amazed at the soundstage of the Steinway piano he plays in his rendition of "The Tartini Tone Blues." Enormous barely begins to describe it. I was surprised to hear echos coming from what sounded like outside my back wall!!! And this was recorded with wideband microphones used in the hearing aid which he invented.
Anyone else had this experience when listening to well recorded piano pieces? I'd like some recommendations if you have.
-D
I've listened to the CD before - primarily for reasons other than listening to music as its got various demonstrations or simulations of hearing losses, otoacoustic emissions, and other things - and was completely amazed at the soundstage of the Steinway piano he plays in his rendition of "The Tartini Tone Blues." Enormous barely begins to describe it. I was surprised to hear echos coming from what sounded like outside my back wall!!! And this was recorded with wideband microphones used in the hearing aid which he invented.
Anyone else had this experience when listening to well recorded piano pieces? I'd like some recommendations if you have.
-D