G'day maties,
The names RJ, also known as Big Dog but that's another story for another time in another galaxy far far away...
My journey in the highend began since I was a teenager, good old pops and I ran a small dealership on the side whiles going about our usual full-time jobs. Later on between the years 1998 to about 2004, we established a strong dealership network through Spore, representing some top brands: CJ, ARC, VTL, Manley Labs, Cary, Lamm, Kondo and Audio Note. Speaker brands: Apogee, Infinity, Maggie's, Paradigm, Energy, ProAc, Sonus Faber, and Quad ESL's. When I headed to Chicago to complete my BA, around 1995 that's when I heard my first pair of ML SL3's. I was totally transfixed by its presentation that I had to buy it, and so from 98 we also represented ML in small numbers.
Apart from those brands of audio gear, the most we moved around the Sth East Asian region were Maggie's and VTL gear. They seemed to outlast ESL's in the Tropics... and the rest of it, most probably due to the very high humidity factor. The others would have minor panel issues, veneers warping, caps going off that sort of thing but we always had a rock solid service department to back us up. Now, only a handful of these brands offer great service... So, in 2005, I sold off the business and migrated to Aus with my family but good old pops is still going strong back in hometown. He kept our personal reference system for as long as he could maintain it; Apogee Diva's, driven by CJ's Premier 8A monoblocks and the original ART preamp, it was a legendary sound!
From the SL3 that we used in one of our personal systems, we ended up with the CLS IIZ's driven by CJ amplification. However, all these systems were sold off by the time we migrated, and our very last pair of Infinity's IRS 1B's were sold to a deserving customer who still uses those old dinosaurs to this day!
Landed in Melbourne with no system, had to start from scratch! It Was a painful yet adventurous journey, having gone through Maggie's again, then Infinity's, Quads (absolute disaster!) even went on to Wilson's and Sonus Faber, still wasn't satisfied. One of my long tine trusted dealership mates in Spore has the ML Statements Evo-II's driven by Dan D's Relentless monoblocks and Momentum preamp, so whenever I get a chance to visit him, I go nuts! Those Statements are something else! Sadly no longer in production and so I asked him what next? He then told me all about this radical new design of the CLS called the CLX Art. I said whaaat? Anyway, he got down a pair, and low and behold I just had to have them!
I returned to Melb after that trip in 2018, and then also experienced a similar CLX Art set up at one of my good mates place, who drives his CLX's with a Pass Labs XA30.8, outstanding performance!
That was it! I just had to get these somehow but in Aus these rare full range stats cost between 40 - 50 grand! So what the heck, buy once, cry once and you only live once, so I got them in Sept 2018. It took me a good 15 years to put this system together, and the CJ monoblocks have had special mods done on them to produce 60w of Class A before switching into Class AB after about the 80w mark leading towards 140w... that 60w Class A bias really drives and controls the CLX's supremely well. It's marvellous!
I can go on and on about these but I think I've rattled off too much for now... so I'll end this post by saying this, there's no other speaker system I would rather own, other than the CLX's. Simply superb!
Cheers, and enjoy those fine tunes!
WOOF! RJ
The names RJ, also known as Big Dog but that's another story for another time in another galaxy far far away...
My journey in the highend began since I was a teenager, good old pops and I ran a small dealership on the side whiles going about our usual full-time jobs. Later on between the years 1998 to about 2004, we established a strong dealership network through Spore, representing some top brands: CJ, ARC, VTL, Manley Labs, Cary, Lamm, Kondo and Audio Note. Speaker brands: Apogee, Infinity, Maggie's, Paradigm, Energy, ProAc, Sonus Faber, and Quad ESL's. When I headed to Chicago to complete my BA, around 1995 that's when I heard my first pair of ML SL3's. I was totally transfixed by its presentation that I had to buy it, and so from 98 we also represented ML in small numbers.
Apart from those brands of audio gear, the most we moved around the Sth East Asian region were Maggie's and VTL gear. They seemed to outlast ESL's in the Tropics... and the rest of it, most probably due to the very high humidity factor. The others would have minor panel issues, veneers warping, caps going off that sort of thing but we always had a rock solid service department to back us up. Now, only a handful of these brands offer great service... So, in 2005, I sold off the business and migrated to Aus with my family but good old pops is still going strong back in hometown. He kept our personal reference system for as long as he could maintain it; Apogee Diva's, driven by CJ's Premier 8A monoblocks and the original ART preamp, it was a legendary sound!
From the SL3 that we used in one of our personal systems, we ended up with the CLS IIZ's driven by CJ amplification. However, all these systems were sold off by the time we migrated, and our very last pair of Infinity's IRS 1B's were sold to a deserving customer who still uses those old dinosaurs to this day!
Landed in Melbourne with no system, had to start from scratch! It Was a painful yet adventurous journey, having gone through Maggie's again, then Infinity's, Quads (absolute disaster!) even went on to Wilson's and Sonus Faber, still wasn't satisfied. One of my long tine trusted dealership mates in Spore has the ML Statements Evo-II's driven by Dan D's Relentless monoblocks and Momentum preamp, so whenever I get a chance to visit him, I go nuts! Those Statements are something else! Sadly no longer in production and so I asked him what next? He then told me all about this radical new design of the CLS called the CLX Art. I said whaaat? Anyway, he got down a pair, and low and behold I just had to have them!
I returned to Melb after that trip in 2018, and then also experienced a similar CLX Art set up at one of my good mates place, who drives his CLX's with a Pass Labs XA30.8, outstanding performance!
That was it! I just had to get these somehow but in Aus these rare full range stats cost between 40 - 50 grand! So what the heck, buy once, cry once and you only live once, so I got them in Sept 2018. It took me a good 15 years to put this system together, and the CJ monoblocks have had special mods done on them to produce 60w of Class A before switching into Class AB after about the 80w mark leading towards 140w... that 60w Class A bias really drives and controls the CLX's supremely well. It's marvellous!
I can go on and on about these but I think I've rattled off too much for now... so I'll end this post by saying this, there's no other speaker system I would rather own, other than the CLX's. Simply superb!
Cheers, and enjoy those fine tunes!
WOOF! RJ
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