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legarem

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Hello
I always dreamed to get a CLS pair. I have the possibility to get a CLSII pair.
I will post soon questions about what to look prior buying them.
Many told me to forget old ML ESL but some told me it depend if the panels were changed.
More on that with picts later.
Thanks
 

Robert D

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Hello
I always dreamed to get a CLS pair. I have the possibility to get a CLSII pair.
I will post soon questions about what to look prior buying them.
Many told me to forget old ML ESL but some told me it depend if the panels were changed.
More on that with picts later.
Thanks
Panel age is a definite concern IMO. The panels have their own serial # which can be used to date it. There is a sticky here I think that has the decoder. The speaker cabinet itself has its own serial number too.
Most panels last between 15 and 29 years I'd say. When they get old they put out low volume and lose the higher frequencies
 

legarem

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Legarem,

Did you score the CLS speakers?
Wife and I went to Quebec City a month ago. Simply beautiful
What a gorgeous province.
Yes, I got them last week
I repaired the frame of one speaker which had an open wood joint and I installed them in the wood frame I had with them. They're powered in the 120 V since 8h00 yesterday. I will position them today and I will probably do my first listening tonight.
 

legarem

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Here are picts of the CLS I have to place in my listening room. They have to dethrone my 3A Reference 2002 which were the best combination of planar and cone speakers. I loved them. Also a pict of my system. More on that after 24 hours of powering the CLS in the 120V Cls 3A.jpg système set up.jpg
 

legarem

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Today was the day to try the setup. After fiddling with the placement, I finally placed them in the room with the calculations ML recommend. After, I adjusted the Descent I sub cut off frequency and phase with pink noise + analyser. The Descent I goes to 80 hz with the CLSII in my room. Normally, after doing measurements I 'finish' by ear. I didn't have to change too much from what I measured, Here are the results on my Phonic analyser. When you lived a long time with the same system, listening a 'new' setup is sometimes disconcerting. With the Classe DR15, I didn't like the sound. Even if it wasn't supposed to work (as written elsewhere) my little JOB 225 amp (Goldmund) drove the CLS with ease and surprising results. I like the results but I feel sound is lacking flesh mainly in the low mids compared to my 3A reference 2002. As is, I don't feel totally comfortable when listening to music .
Next: Trying the Melos tube monoblocks with the CLS. Tubes can perhaps tame what's bother me.Capture d’écran, le 2023-11-28 à 18.22.53.jpg
 
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Steelhead

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Well hope it works out for you.

I had two systems for a long time and always loved the easy efficiency and dynamics of big horn systems. I blame it on owning big JBL horns back in the 70's and still pine for JBL 4350's I passed on back when an average income could acquire them. After owning Koss electrostatic headphones in 70's and hearing a demo of Acoustat 2+2's and then a demo of the big Beveridge stats in the 80's I fell hard for electrostatic presentation of music.

Until recently I had modified Klipsch LaScala's with SVS subwoofers and used a Fisher 500c tube receiver to great effect. They were great for rock music and although I still preferred my Summits overall the easy dynamics of horns is hard for this listener to pass up. The 15a's gave me the easy big sound with much more refinement (although I prefer the word BEAUTY) and the LaScala's and SVS went down the road. However, I am using a tube preamp and big tube monoblocks for the 15 panels.

I fell hard for tubes and for me they are a ticket to bliss. I will put up with the cost, hassle, whatever as tubes sound superior to whatever solid state I ever had here in my place.

Enough about me, I hope you get those wonderful speakers set up to your liking and preferences.
 

legarem

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Well hope it works out for you.

I had two systems for a long time and always loved the easy efficiency and dynamics of big horn systems. I blame it on owning big JBL horns back in the 70's and still pine for JBL 4350's I passed on back when an average income could acquire them.
10 years ago, I also had horns. An Onken with Altec 1005B and a JBL2405. All was triamplified with single ended triodes. I loved the easy efficiency but this system was 'fast' and (too) intransigent with music. if the recordings were not the best, you knew it fast and you had to listen another album . The system must be at the service of the music and not the opposite. I prefer something that irons out certain defects to achieve comfortable listening. I'm afraid I have the same dilemma with the CLS I had with the horns about this aspect.
 
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