I think it depends - on your taste, your preferences, your live music references, the hifi sound you are used to hearing, your wallet, etc.
If you listen to vocals or small scale material that doesn't have huge dynamic swings, 140 wpc would be fine. But, for my taste, I do not think the CJ 140 monoblocks were enough when I heard them on the Summits. But the 140 wpc Atma - Spheres are, which are also A LOT more expensive.
If I couldn't get the atma-spheres, I would look at VTL 450's or higher. But these are not cheap either.
I always liked amps that can respond to any dynamic verve in the perfromance, kind of like passing a slow driver on the road with ease. Even my VTL 750's do not grip the Soundlab panels and slightly peter out on the highs compared to solid state amp like CJ 350 or Sanders or Ayre Monoblocks (but VTLs are pretty damn close and better than any tube I have heard). It all depends what compromises you are willing to make. The best way is to audition or to buy on the used market and sell what you don't like.