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Having spent most of my life in Pro audio, I can confirm that the people wiring studios etc. absolutely pay attention to this. Every tech paper or book I have on interconnection and grounding--and I have many--treats the subject of where and how to connect the shield. Hint: there are more...

One more vote for diffusion. My pair is currently in the living room of a log cabin, so the walls behind (and everywhere else) are naturally diffusers. No further room treatments needed. They sound better in this room than in any other room I've had them in, and I've been listening to this...

I run my ML's (Monolith panels in CLS frames) with an EAR G-88 preamp and EAR 549 amps. Not matching brands on purpose, just chosen because that combination makes the system sing in a way no other gear has. No one comments on the sound of the system, they just say "can we listen some more?"...

Agreed, Peter's a good guy. People move around in this industry, so we'll probably still see him at shows etc. But we'll miss him here.

DACT story About ten years ago I was trying out a few different surround monitor controllers for my mastering lab, as we were starting to get into surround work. There were several candidates that had useful capabilities, but I couldn't shake the feeling that they were losing a bit in sound...

Hi y'all, I had Martin-Logans in my living room for twenty five years, but just found out about this forum when Gordon showed up on the Ultra Hi End forum. Much as I loved those speakers, I replaced them recently. I have a big set of Magicos that were built for my mastering studio, and--long...